Art, Garden, Life , May-November , p. Two nudes in a landscape should be idyllic, but the idyll is disturbed, and by contrast enhanced, by the agitated terrain around them. The nudes, one dark-skinned and seated, the other light-skinned and recumbent, are hemmed in on one side by wild jungle foliage that turns abruptly into a vast, barren desert. The jungle could thus be an oasis or even a mirage.
In front of the nude women is a canyon. It is as if the earth had been split open by a quake. For all that, the women maintain a semblance of repose.http://www.juraa.com/images/vte/knit-a-unique-kindle-cover-how-to-effortlessly-create-a-pretty-pink-cover-for-your.php
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The body language of the two nudes tells the story of their intimacy. The seated nude is a figure of compassion. She looks down with sorrow at the pale nude whose head rests in her lap. These figures are not portraits. Both women are intentionally anonymous. The dark seated woman consoles the white woman by laying her right hand gently over her neck.
Who are these nude women? They are, I believe, two aspects of Frida Kahlo and, at the same time, they are two different women—Frida being comforted by a woman she loved. Kahlo recognized the duality of her personality. Both her husband, the muralist Diego Rivera and her close friends noted that there were many Fridas. Her mother was a Mexican of mixed Spanish and Indian descent.
Dos desnudos en el bosque (La tierra misma)
Her father was a German immigrant to Mexico. Two Nudes in a Forest focuses on the duality of the comforter and the comforted. The dark one is stronger.
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Similarly, in The Two Fridas , a double self-portrait from the same year as Two Nudes in a Forest , Frida gives strength to herself by holding her own hand. Indeed, all three double self-portraits are images of self-nurture. The consoling woman in Two Nudes in a Forest wears a long red shawl over her head. This may be a reference to the Virgin Mary cradling her dead son. A fold of the red shawl worn by the seated nude hangs down into the ravine and from its tip drops of blood fall into the shadows.
More than once Kahlo painted herself with her own blood flowing into and fertilizing the parched Mexican earth. Of the many Kahlo self-portraits in which her body is bleeding, this one is perhaps the most delicate and most subtle. The two nudes in this painting appear in mirror image in What the Water Gave Me, a depiction of a bathtub reverie from the previous year. Here the miniature nudes float on a sponge.
In any case, in , when she painted both Two Nudes in a Forest and The Two Fridas, Kahlo was in great need of a comforting companion.
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That spring her marriage fell apart and by the end of the year Rivera had divorced her. In October, after Rivera started divorce proceedings, Kahlo wrote in English to a friend: What I mean to say is, I resorted to myself; I sought my own help.
This is the reason why the two figures are holding hands. In both paintings she succors herself. Not only was there the misery of losing Rivera, there was also the agony of her deteriorating health. The skeletal problems that stemmed from a terrible bus accident that almost killed her when she was eighteen, worsened in Her doctor ordered a twenty kilogram weight to stretch her spine.
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A photograph from that time shows Frida in traction with a look of agony on her face. In spite of all her emotional and physical pain—or maybe in part because of it—Frida Kahlo painted some of her most powerful and poignant self-portraits during the year she was separated from Rivera. They remarried in December Use the three translators to create the most accurate translation. We've combined the most accurate English to Spanish translations, dictionary, verb conjugations, and Spanish to English translators into one very powerful search box.
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